Ultima Thule
Our world is in flux. We are being forced into reconfiguring our borders and along with them, our identities. Ultima Thule is my way of exploring the themes around migration: the hope and the trepidation that comes with any journey that traverses known and unknown territories.
In the context of a dehumanising rhetoric around immigration I encourage empathy by means of story-telling. Each migrant is afforded varying legal statuses and privileges as well as spaces within the social and economic fabric of our communities. Exploring the humanity behind these journeys in my work, the boat is seen abandoned, deserted and empty; or elevated as on object of reverence and place of worship. The fish is an ancient symbol of faith and hope and the black bird an ominous onlooker observing the displaced.
Hostile Landing, 2017
Silver, bone, reclaimed oak barrel stave, resin coated sea buckthorn
83cm w x 35cm h x 45cm d
The rejection of refugees into a country or crossing a border.
Hostile landing (detail )
Stowaway, 2019
Military trunk, gold leaf, spalted sycamore, bone and antique postcard
95cm w x 110cm h x 75cn d
The travelling trunk lined with gold is a happier outlook, with the boat safely inside and surrounded by hope and the faith of a safe destination.
Stowaway (detail)
Hidden, 2019
Silver, steel wire, reclaimed wood
85cm w x 45cm h x 15cm d
The journey planned for whenever the need is most desperate
Hidden (detail)
Traverse, 2019
Silver, resin, bone, shells, found farm machinery on an oak base
85cm w x 25cm h x 25cm d
I wanted to use this amazing piece of machinery in my work, I found it sticking out of the ground ….. waiting for me since who knows when. There is an ambiguity as to whether it represents land or sea, whichever, the journey is precarious.
Traverse (detail)
Icon, 2017
silver, bone, steel rod and mesh on an oak base
95cm h x 35cm w x 85cm d
A successful journey undertaken and the boat is placed in reverence
In Memorium, 2019
Silver, plaster and resin
For those who lost their lives on a journey to a better place.
In Memorium (detail)
Between a Rock and a Hard Place
In Memorium, 2019
Between a Rock and a Hard Place, 2017
Silver, bone, pitch pine on an oak gesso base
30cm w x 40cm h x 15cm d
This piece is inspired by Þingvellir in Iceland, a chasm created by the separation of two tectonic plates and the idea of people being stuck between countries borders.